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Rich Juzwiak Listen: dsvn, The Line Record Company TenBig Beat Records.

Close Alert Close The 200 Best Songs of the 2010s News Reviews Best New Music Features The Pitch Video Podcast Staff Picks More Chevron Search Search News Reviews Best New Music Features The Pitch Video Podcast Staff Picks Lists Guides The 200 Best Songs of the 2010s The defining tracks of the decade, starring Robyn, Drake, Vampire Weekend, Daft Punk, SZA, and many more By Pitchfor k October 7, 2019 Facebook Twitter Play Illustration by Drew Litowitz and Arjun Ram Srivatsa.

Producers and artists collaborated through the cloud, mixing styles like potions, from emo trap to EDM ballads to indie RB to bedroom pop.

A million modes of distribution meant you could hear those songs milliseconds after they were born.

Artists started releasing music at an unprecedentedly rapid pace.

The infinite scroll of social media made listeners insatiable.

The result of all this was both a blessing and a curse: There was more great music out there than ever before, but it was nearly impossible to keep up.

For more about how we put together this list, read this letter from our editor-in-chief Puja Patel.

And check out all of Pitchforks 2010s wrap-up coverage here.

Listen to selections from this list on our Spotify playlist and Apple Music playlist.

Universal.

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In 2011, good feelings were rare and expensive, but it was possible to get one for free via a sparkling EDM hook.

Levels, with its monumental synths and jetstream whooshes, took that potential and conquered the world with it.

In hindsight, its sheer scale still feels staggering, but theres a sinister undertone to it.

Tim Bergling, who took his own life in 2018, at age 28, got his stage name from Avici, the hell-like realm in Buddhism where dead sinners are reborn.

There is something punishing about Levels, which, like the office drone pushing a boulder up a mountain in its music video, seems to climb and climb without actually going anywhere, an illusion of transcendence thats actually just plain old limbo.

Electronic pop music of the early 2010s, from Harlem Shake to Turn Down for What, was punctuated by images of people in their boring jobs and dumpy apartments exploding into uncontrollable, spasmodic dancinghalf joyful release, half exorcism.

Levels is the sound of a generation hell-bent on having a good feeling, reality be damned.

So it makes sense that the knockout track from his eclectic debut album, Gang Signs Prayer, simply showcases his high-octane rapping and palpable charisma over a jagged instrumental, proving that he deserves to take a seat next to grime greats like Dizzee Rascal and Wiley.

On Big for Your Boots, Stormzy fires off a barrage of disses directed at his enemies and rap rivals.

Youre getting way too big for your bootsYoure never too big for my boot, he raps in the chorus, emphasizing the last syllable with maniacal glee.

Considering the fact that hes 6-foot-5 and wears a size 12 shoe, any detractors would be wise to heed his warning.

Michelle Kim Listen: Stormzy, Big for Your Boots Self-released.

Arriving the year before mainstream hip-hop reclaimed gospel via Chance the Rappers Coloring Book and Kanye Wests Ultralight Beam, The Line has Daley showing off a preachers sense of mesmerizing repetition as he fills the songs skeletal framework with melisma capable of stretching moments into eternities.

By the time the choir hits about halfway into this epic slow jam, dvsns romantic redemption is secured.